![]() ![]() ![]() It originally appeared in several different versions the one performed here is final version – arranged for a performance at the Pietà in 1739 – which contained five newly-composed concertante solo movements with string accompaniment, intended for the very best young musicians in the school. The Magnificat in G minor is another of Vivaldi’s masterpieces. The work ends with a resplendent fugue: ‘Cum Sancto Spiritu’. The bright opening ‘Gloria’ is well known among choral singers and instrumentalists alike, with much of the vocal writing exploring the very limits of the tonality that was common at the time. The Gloria in D is Vivaldi’s most popular choral work and one of his most extensive settings of a liturgical text. If we take it that Vivaldi kept to these conditions throughout the time he was engaged to compose for the Pietà, we can assume that the composer wrote much more sacred music than has come down to us the magnificent works on this recording provide just a snapshot of Vivaldi’s brilliance in this genre. In addition to these pieces, it has since been discovered that there was a contractual requirement for the choir master to compose two new settings of the Mass and Vespers for Easter and the Feast of Visitation. It was during this time that Vivaldi composed the works recorded on this disc. The choir master, Francesco Gasparini, retired in 1713 and his successor was not deemed to have been successful enough as a composer Vivaldi was selected to provide all compositions required for the chapel. John Walsh #384 of doubtful authenticity.In 1701 Antonio Vivaldi was appointed violin teacher at the Ospedale della Pietà – an orphanage that specialised in musical training for young girls. Same as Violin Concerto RV 236 from Il cimento dell'armonia e dell'inventione. ![]() Related to RV 544.įlute22 flutes, 2 violins, 2 bassoons, strings Related to RV 439, both entitled La notteįlute22 flutes, 2 oboes, violin, cello, harpsichord, strings Violin in 1st movement only.įlute, violin & bassoon or 2 violins & celloįlute and 2 violins, or 3 violins, bassoon La tempesta di mare related to RV 98 & RV 433. Related to RV 433 and RV 570 all three works titled La tempesta di mare. Published in Amsterdam by Le Cene (#544). La tempesta di mare, closely related to RV 98 & RV 570. Slow movement related to that of RV 334 (violin concerto, Op. Ripieno Ms source Turin: Foa 30, BL 42 - 49 Ripieno Ms source Turin: Foa 30, BL 55 - 60 "introdutione" by Giuseppe Tartini withdrawn by Ryom. Related to the serenata La sena festeggiante RV 693. Related to the sinfonia for the opera Il giustino RV 717. Chédeville supplied the money and received the profits,Īll of which was attested to in a notarial act by Marchand in 1749.įor the works available here at IMSLP, clicking on the RV number will take you to the corresponding work page. In 1737 Nicolas Chédeville made a secret agreement with Jean-Noël Marchand to publish a collection of his own compositions as Vivaldi's. Six sonatas for musette, viella, recorder, flute, oboe or violin, and basso continuo - 1737 "Opus 13" - Il pastor fido (The Faithful Shepherd) VI Concerti a flauto traverso (two versions, one for recorder, printed in Venice)įive violin concertos and one oboe concerto.įive violin concertos and one without solo La cetra ( The Lyre), eleven violin concertos and one for two violins Il cimento dell'armonia e dell'inventione (The Contest between Harmony and Invention), 12 violin concertos including Le quattro stagioni (The Four Seasons) (Nos.1-4) XII Concerti a cinque stromenti, two oboe concertos and 10 violin concertos VI Concerti a cinque stromenti, six violin concertos La stravaganza ( The Extraordinary), twelve violin concertosĦ Violin Sonatas (4 violin sonatas and 2 sonatas for 2 violins and continuo) L'estro Armonico ( Harmonic Inspiration), twelve concertos for various combinations. Twelve sonatas for violin and basso continuo Twelve sonatas for two violins and basso continuo The following is a list of compositions by Antonio Vivaldi that were published during his lifetime and assigned an opus number. ![]()
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